{"id":2145,"date":"2016-03-10T09:00:41","date_gmt":"2016-03-10T07:00:41","guid":{"rendered":"https:\/\/revistadinlemn.ro\/?p=2145"},"modified":"2023-06-03T15:03:07","modified_gmt":"2023-06-03T12:03:07","slug":"designer-spotlight-kai-takeshima","status":"publish","type":"post","link":"https:\/\/revistadinlemn.ro\/en\/2016\/03\/10\/designer-spotlight-kai-takeshima\/","title":{"rendered":"Designer Spotlight - KAI TAKESHIMA"},"content":{"rendered":"<p>Ast\u0103zi vreau s\u0103 pornesc o mini-serie despre designerii contemporani care se &#8220;joac\u0103&#8221; cu lemnul.<\/p>\n<p>Primul pe list\u0103 este <a href=\"https:\/\/www.facebook.com\/kai.takeshima\" target=\"_blank\" rel=\"noopener noreferrer\">Kai Takeshima<\/a><em>\u00a0(link Facebook)<\/em>, designer japonez stabilit \u00een Montreal, Canada. Imaginile de mai jos va vor conduce la cele doua galerii de pe <a href=\"http:\/\/www.kaitakeshima.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">site-ul artistului<\/a>.<\/p>\n<p style=\"text-align: center;\">[Colectii]\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-12141\" src=\"https:\/\/revistadinlemn.ro\/wp-content\/uploads\/2016\/03\/26-Salvaged.jpg\" alt=\"\" width=\"800\" height=\"584\" srcset=\"https:\/\/revistadinlemn.ro\/wp-content\/uploads\/2016\/03\/26-Salvaged.jpg 800w, https:\/\/revistadinlemn.ro\/wp-content\/uploads\/2016\/03\/26-Salvaged-600x438.jpg 600w, https:\/\/revistadinlemn.ro\/wp-content\/uploads\/2016\/03\/26-Salvaged-300x219.jpg 300w, https:\/\/revistadinlemn.ro\/wp-content\/uploads\/2016\/03\/26-Salvaged-768x561.jpg 768w, https:\/\/revistadinlemn.ro\/wp-content\/uploads\/2016\/03\/26-Salvaged-74x55.jpg 74w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\">[<a href=\"https:\/\/revistadinlemn.ro\/2016\/06\/13\/lemnul-recuperat\/\" target=\"_blank\" rel=\"noopener\">Lemn recuperat<\/a>]\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12143 aligncenter\" src=\"https:\/\/revistadinlemn.ro\/wp-content\/uploads\/2016\/03\/25-Collection.jpg\" alt=\"\" width=\"800\" height=\"578\" srcset=\"https:\/\/revistadinlemn.ro\/wp-content\/uploads\/2016\/03\/25-Collection.jpg 800w, https:\/\/revistadinlemn.ro\/wp-content\/uploads\/2016\/03\/25-Collection-600x434.jpg 600w, https:\/\/revistadinlemn.ro\/wp-content\/uploads\/2016\/03\/25-Collection-300x217.jpg 300w, https:\/\/revistadinlemn.ro\/wp-content\/uploads\/2016\/03\/25-Collection-768x555.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>Dac\u0103 ave\u021bi designeri prefera\u021bi, spune-\u021bi-ne \u0219i nou\u0103, nu mai \u021bine\u021bi informa\u021bia doar pentru voi! L\u0103sa-\u021bi-ne un comentariu; am zis!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ast\u0103zi vreau s\u0103 pornesc o mini-serie despre designerii contemporani care se &#8220;joac\u0103&#8221; cu lemnul. Primul pe list\u0103 este Kai Takeshima\u00a0(link Facebook), designer japonez stabilit \u00een Montreal, Canada. Imaginile de mai jos va vor conduce la cele doua galerii de pe site-ul artistului. [Colectii] &nbsp; [Lemn recuperat] &nbsp; Dac\u0103 ave\u021bi designeri prefera\u021bi, spune-\u021bi-ne \u0219i nou\u0103, nu [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":2149,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2172],"tags":[147,145],"class_list":["post-2145","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-decodesign-amenajari","tag-lemn-reciclat","tag-masuta-cafea"],"_links":{"self":[{"href":"https:\/\/revistadinlemn.ro\/en\/wp-json\/wp\/v2\/posts\/2145","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistadinlemn.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistadinlemn.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistadinlemn.ro\/en\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/revistadinlemn.ro\/en\/wp-json\/wp\/v2\/comments?post=2145"}],"version-history":[{"count":7,"href":"https:\/\/revistadinlemn.ro\/en\/wp-json\/wp\/v2\/posts\/2145\/revisions"}],"predecessor-version":[{"id":14909,"href":"https:\/\/revistadinlemn.ro\/en\/wp-json\/wp\/v2\/posts\/2145\/revisions\/14909"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistadinlemn.ro\/en\/wp-json\/wp\/v2\/media\/2149"}],"wp:attachment":[{"href":"https:\/\/revistadinlemn.ro\/en\/wp-json\/wp\/v2\/media?parent=2145"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistadinlemn.ro\/en\/wp-json\/wp\/v2\/categories?post=2145"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistadinlemn.ro\/en\/wp-json\/wp\/v2\/tags?post=2145"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}