{"id":3731,"date":"2016-05-11T09:00:37","date_gmt":"2016-05-11T06:00:37","guid":{"rendered":"https:\/\/revistadinlemn.ro\/?p=3731"},"modified":"2017-12-03T15:53:17","modified_gmt":"2017-12-03T13:53:17","slug":"disenador-destacado-joshua-abarbanel","status":"publish","type":"post","link":"https:\/\/revistadinlemn.ro\/es\/2016\/05\/11\/designer-spotlight-joshua-abarbanel\/","title":{"rendered":"Dise\u00f1ador destacado: Joshua Abarbanel"},"content":{"rendered":"<p><a href=\"http:\/\/www.joshuaabarbanel.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Joshua Abarbanel<\/a>\u00a0monta esculturas de madera que imitan arrecifes de coral. Tanto las piezas peque\u00f1as (para colocar sobre un pedestal) como las grandes (que pueden cubrir toda una pared) se cortan con l\u00e1ser. Su belleza reside en la libertad del artista para dejar que el \"coral\" se expanda de forma natural en cualquier direcci\u00f3n.<\/p>\n<blockquote><p>(traducci\u00f3n y adaptaci\u00f3n del ingl\u00e9s)<\/p>\n<p>\"Encuentro mi inspiraci\u00f3n en los fractales, en las estructuras que se desarrollan en espiral, y me aproximo a la progresi\u00f3n de Fibbonaci en mi obra. Trato de conseguir simult\u00e1neamente una imagen microsc\u00f3pica y una vista de 'avi\u00f3n', y mis composiciones sirven como met\u00e1foras de las relaciones entre personas, individuos, comunidades e incluso entre la humanidad y el planeta. Las piezas ilustran muy bien c\u00f3mo la uni\u00f3n de elementos dispares puede producir un todo funcional tanto visual como cognitivamente.\"<\/p>\n<p style=\"text-align: right;\"><em>(Joshua Abarbanel)<\/em><\/p>\n<p style=\"text-align: right;\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3733 aligncenter\" src=\"https:\/\/revistadinlemn.ro\/wp-content\/uploads\/2016\/05\/ColsonRes.jpeg\" alt=\"\" width=\"750\" height=\"1000\" srcset=\"https:\/\/revistadinlemn.ro\/wp-content\/uploads\/2016\/05\/ColsonRes.jpeg 750w, https:\/\/revistadinlemn.ro\/wp-content\/uploads\/2016\/05\/ColsonRes-600x800.jpeg 600w, https:\/\/revistadinlemn.ro\/wp-content\/uploads\/2016\/05\/ColsonRes-225x300.jpeg 225w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/p>\n<p style=\"text-align: right;\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12146 aligncenter\" src=\"https:\/\/revistadinlemn.ro\/wp-content\/uploads\/2016\/05\/MegaReefInMalibu.jpg\" alt=\"\" width=\"750\" height=\"555\" srcset=\"https:\/\/revistadinlemn.ro\/wp-content\/uploads\/2016\/05\/MegaReefInMalibu.jpg 750w, https:\/\/revistadinlemn.ro\/wp-content\/uploads\/2016\/05\/MegaReefInMalibu-600x444.jpg 600w, https:\/\/revistadinlemn.ro\/wp-content\/uploads\/2016\/05\/MegaReefInMalibu-300x222.jpg 300w, https:\/\/revistadinlemn.ro\/wp-content\/uploads\/2016\/05\/MegaReefInMalibu-74x55.jpg 74w, https:\/\/revistadinlemn.ro\/wp-content\/uploads\/2016\/05\/MegaReefInMalibu-111x83.jpg 111w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/p>\n<p style=\"text-align: right;\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-12147 aligncenter\" src=\"https:\/\/revistadinlemn.ro\/wp-content\/uploads\/2016\/05\/SilverReef05.jpg\" alt=\"\" width=\"750\" height=\"750\" srcset=\"https:\/\/revistadinlemn.ro\/wp-content\/uploads\/2016\/05\/SilverReef05.jpg 750w, https:\/\/revistadinlemn.ro\/wp-content\/uploads\/2016\/05\/SilverReef05-300x300.jpg 300w, https:\/\/revistadinlemn.ro\/wp-content\/uploads\/2016\/05\/SilverReef05-100x100.jpg 100w, https:\/\/revistadinlemn.ro\/wp-content\/uploads\/2016\/05\/SilverReef05-600x600.jpg 600w, https:\/\/revistadinlemn.ro\/wp-content\/uploads\/2016\/05\/SilverReef05-150x150.jpg 150w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/p>\n<\/blockquote>","protected":false},"excerpt":{"rendered":"<p>Joshua Abarbanel\u00a0pune cap la cap sculpturi din lemn ce imit\u0103 recifurile de corali. At\u00e2t piesele mici (de pus pe un piedestal) c\u00e2t \u0219i cele mari (care pot \u00eembr\u0103ca un \u00eentreg perete) sunt ob\u021binute prin debitare laser. Frumuse\u021bea lor st\u0103\u00a0\u00een libertatea artistului de a l\u0103sa &#8220;coralii&#8221; s\u0103 se extind\u0103 natural \u00een orice direc\u021bie. (traducere \u0219i adaptare [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":12149,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[2172],"tags":[],"class_list":["post-3731","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-decodesign-amenajari"],"_links":{"self":[{"href":"https:\/\/revistadinlemn.ro\/es\/wp-json\/wp\/v2\/posts\/3731","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistadinlemn.ro\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistadinlemn.ro\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistadinlemn.ro\/es\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/revistadinlemn.ro\/es\/wp-json\/wp\/v2\/comments?post=3731"}],"version-history":[{"count":3,"href":"https:\/\/revistadinlemn.ro\/es\/wp-json\/wp\/v2\/posts\/3731\/revisions"}],"predecessor-version":[{"id":12148,"href":"https:\/\/revistadinlemn.ro\/es\/wp-json\/wp\/v2\/posts\/3731\/revisions\/12148"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistadinlemn.ro\/es\/wp-json\/wp\/v2\/media\/12149"}],"wp:attachment":[{"href":"https:\/\/revistadinlemn.ro\/es\/wp-json\/wp\/v2\/media?parent=3731"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistadinlemn.ro\/es\/wp-json\/wp\/v2\/categories?post=3731"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistadinlemn.ro\/es\/wp-json\/wp\/v2\/tags?post=3731"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}